1 to 4Fundamentals |
Historical introduction, frequency and wavelength, human hearing and perception, acoustic measurements, and noise metrics including NC, RC, and Leq curves. |
Background. Skip on first pass unless you want the physics. |
5 to 7Wave behaviour |
Environmental noise (traffic, rail, aircraft), wave acoustics and simple sources, and reflection and absorption at solid surfaces including NRC and impedance-tube measurements. |
Useful for the absorption coefficient discussion and for site noise context. |
8Sound in rooms |
Diffuse and semireverberant fields, Sabine and Norris-Eyring reverberation time, room effect, and reverberant falloff in long narrow rooms. |
Anchors reverberation time as a design parameter for classrooms, lobbies, and worship spaces. |
9 to 10Sound transmission |
Single, double, and triple-panel transmission loss; mass law and coincidence effect; STC, FSTC, and NIC ratings; common wood- and metal-stud partitions; exterior-to-interior transmission through walls, windows, and doors. |
Highest exam value. Sits directly behind the NRC sound transmission guides and NBC Part 9.11. |
11 to 12Vibration and floor noise |
Single-degree-of-freedom oscillators, isolator types (pads, neoprene, springs, hangers), inertial bases, floor vibrations, IIC ratings, footfall noise, structural deflection, and floor squeak. |
Backs the impact-noise side of party-floor design in multifamily projects. |
13 to 14Mechanical and duct noise |
HVAC equipment noise in fans, pumps, and cooling towers; flow noise in ducts; plenum attenuation, silencers, breakout and break-in noise; control of duct-borne noise. |
Supports engineering coordination questions and roof-mounted equipment layouts. |
15 to 16Multifamily and office |
Codes and standards for sound, party-wall and party-floor construction, flanking paths, electrical-box penetrations, plumbing and piping noise; speech privacy in open and closed offices and masking sound. |
Direct read across Section 3 Assemblies and Detailing and Section 4 office design. |
17 to 18Rooms for speech |
Reverberation, signal-to-noise ratio, articulation loss, Speech Transmission Index, classroom and conference-room design; loudspeaker systems, intelligibility, equalization, and computer modelling of sound systems. |
Programming-stage decisions for schools, lecture halls, and council chambers. |
19 to 20Rooms for music |
Concert hall and opera house design, hall shape and volume, balconies, orchestra shells; multipurpose auditoria, sanctuaries, variable absorption and variable volume. |
Useful for cultural and worship-space programming questions. |
21 to 22Studios and modelling |
Design of studios and listening rooms, including recording, mixing, and screening rooms; acoustic modelling, ray tracing, and auralization for predicting room performance. |
Specialist depth. Skip for the ExAC unless a project puts a studio on your desk. |